Defiance

• ISBN13: 9780195376852
• Condition: Used - Very Good
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Daniel Craig (James Bond: Quantum of Solace) stars as Tuvia Bielski, an ordinary citizen turned hero, in this action-packed epic of family, honor, vengeance and salvation. Defiance is a riveting adventure that showcases the extraordinary true story of the Bielski brothers, simple farmers â€"outnumbered and outgunned- who turned a group of war refugees into powerful freedom fighters. Tuvia, along with his unyielding brother, Zus (Liev Schreiber, X-Men Origins: Wolverine), motivate hundreds of civilians to join their ranks against the Nazi regime. Their “Inspirational story”* is a true testament to the human spirit. - David Densby, The New YorkerThree ferociously committed actors fill t! he roles of the Bielski brothers, Jewish partisans who escaped into the forests of Eastern Europe during the Second World War. Daniel Craig (taking a break from 007 duty) is Tuvia, the leader of a group of refugees who eventually number over a thousand; Liev Schreiber is Zus, the antagonistic warrior; and Jamie Bell is Asael, a peacemaker no less devoted to the survival of the community. The three performers give life to director Edward Zwick's account of this little-known chapter of Jewish resistance to the Holocaust, which otherwise plays more like a history lesson than a full-blooded movie. The film's best achievement is its strong location work, in Lithuania--as the community makes its home in the forest, the landscape becomes an important player in the drama at hand, and the changing of the seasons is charted with bone-chilling detail. Schreiber manages to get a little wry humor into this otherwise sober enterprise, and Daniel Craig creates an unusual character: a sort! of anti-Bond, a hero whose body is all too fallible and whose! decisio n-making is sometimes hesitant or morally compromised. It's a rare hero in a World War II movie that tends to withdraw from scenes rather than stride into them, but that's what Craig does. More than likely, the movie's main achievement will be sending the curious to read the histories of the Bielski brothers and why they matter in the chronicles of the Holocaust. --Robert Horton

Stills from Defiance (Click for larger image)

DEFIANCE - Blu-Ray MovieThree ferociously committed actors fill the roles of the Bielski brothers, Jewish partisans who escaped into the forests of Eastern Europe during the Second World War. Daniel Craig (taking a break from 007 duty) is Tuvia, the leader of a group of refugees who eventually number over a thousand; Liev Schreiber is Zus, the antagonistic warrior; and Jamie Bell is Asael, a peacemaker no less devoted to the survival of the community. The three performers give life to director Edward Zwick's account of this little-known chapter of Jewish resistance t! o the Holocaust, which otherwise plays more like a history lesson than a full-blooded movie. The film's best achievement is its strong location work, in Lithuania--as the community makes its home in the forest, the landscape becomes an important player in the drama at hand, and the changing of the seasons is charted with bone-chilling detail. Schreiber manages to get a little wry humor into this otherwise sober enterprise, and Daniel Craig creates an unusual character: a sort of anti-Bond, a hero whose body is all too fallible and whose decision-making is sometimes hesitant or morally compromised. It's a rare hero in a World War II movie that tends to withdraw from scenes rather than stride into them, but that's what Craig does. More than likely, the movie's main achievement will be sending the curious to read the histories of the Bielski brothers and why they matter in the chronicles of the Holocaust. --Robert Horton

Stills fro! m Defiance (Click for larger image)

Now that sixteen-year-o! ld Dru's worst fears have come true and Sergej has kidnapped h! er best friend Graves, she'll have to go on a suicidal rescue mission to bring him back in one piece.

That is, if she can put all of Christophe's training to good use, defeat her mother's traitor, Anna, once and for all, and manage to survive another day. . .An out-of work merchant seaman single-handedly tames a powerful street gang ("The Souls") that has been terrorizing his neighborhood on New York City's Lower East Side.

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Studio: Paramount Home Video Release Date: 08/02/2011 Rating: RNechama Tec tells the story of the largest armed rescue operation of Jews by Jews in World War II. Arguing that the success of the Bielski partisans, as the rescue organization came to be known, would have bee! n unthinkable without the vision of one man, Tec offers penetrating insight into the group's commander, Tuvia Bielski. Tec brings to light the untold story of Bielski's struggle as a partisan who lost his parents, wife, and two brothers to the Nazis, yet never wavered in his conviction that it was more important to save one Jew than to kill twenty Germans. She shows how, under Bielski's guidance, the partisans smuggled Jews out of heavily guarded ghettos, scouted the roads for fugitives, and led retaliatory raids against Belorussian peasants who collaborated with the Nazis.
Herself a Holocaust survivor, Nechama Tec here draws on wide-ranging research and never before published interviews with surviving partisans--including Tuvia Bielski himself--to reconstruct here the poignant and unforgettable story of those who chose to fight.
The prevailing image of European Jews during the Holocaust is one of helpless victims, but in fact many Jews struggled against the te! rrors of the Third Reich. In Defiance, Nechama Tec of! fers a r iveting history of one such group, a forest community in western Belorussia that would number more than 1,200 Jews by 1944--the largest armed rescue operation of Jews by Jews in World War II. Tec reveals that this extraordinary community included both men and women, some with weapons, but mostly unarmed, ranging from infants to the elderly. She reconstructs for the first time the amazing details of how these partisans and their families--hungry, exposed to the harsh winter weather--managed not only to survive, but to offer protection to all Jewish fugitives who could find their way to them.

Read the Foreword
Writer and director Edward Zwick reveals the challenges and personal significance of making a film adaptation of Nechama Tec's Defiance. Among his extensive film credits, Zwick is best known for his direction of Blood Diamond and The Last Samaurai.

An inevitable rite of passage in any Jewish child’s informal initiation to adulthood is to study, with grim fascination, the grainy, out-of-focus images of hollow-eyed survivors in striped pajamas, the amateur photos of corpses piled high in freshly dug pits, or possibly the 16 mm handheld GI footage of living skeletons clinging to barbed wire during the liberation of the camps. Such grisly iconography of passivity and victimization was, during my childhood, and probably is still today, not only an article of faith, but also a source of secret shame. As an assimilated suburban kid growing up in the Midwest, I had thrilled to World War II stories about John Kennedy and PT 109 (Cliff Robertson in the movie version), the leatherneck marines at Guadalcanal (John Wayne), the flying fortresses over Germany (Gregory Peck), and so many more. In feeble contrast, Jewish heroes were the ancient biblical warriors evoked by uni! nspired Sunday school teachers--Bar Kochba and Judah Macabee w! ielding spears and jawbones, or young David with his little slingshot.

So when my friend and collaborator, Clay Frohman, came to me with a book called Defiance, I was skeptical. "Not another Holocaust movie," I said. What was to be accomplished, I asked myself, in telling yet another story of familiar and unspeakable horror, especially when an entire canon of literature, not to mention films both documentary and fiction, have already dramatized it in the most exacting and harrowing detail? What’s more, the greatest historians and philosophers of our time have devoted entire careers to plumbing the roots and magnitude of its evil. What could I possibly add?

But Clay was insistent. Here, he said, was something fresh and utterly provocative. And so, somewhat grudgingly, I plunged into Nechama’s Tec’s remarkable book and found myself deeply moved. That was ten years ago. And the feelings I had upon that first reading have only grown stronger with time. To ! read of the Bielski brothers and their fight to create a safe haven in the midst of a hell-on-earth evokes in me something utterly primitive and deeply personal, a roiling wave of fear, awe, humility, and admiration. And outrage, too--that such a story was not better known.

Here, clutching captured Schmeisser submachine guns and "potatomasher" grenades, were Jewish fighters whose deeds were as stirring and brave as any I had ever encountered. And what’s more, it was all true. In an age when the term "hero" has been so overused as to become meaningless, the Bielskis remind us that real heroism is not the stuff of comic books. Rather, it is a set of decisions, sometimes impulsive, often made by simple men of whom nothing of the sort could ever have been expected. Their story is not simply one of courage or fortitude in the face of adversity; it includes any number of daunting moral decisions--whether to seek vengeance or to rescue, how to re-create a sense of commun! ity among those who have lost everything, how to maintain hope! when al l seems forsaken. Read more

Edward Zwick
Santa Monica, Calif., 2008

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You Don't Know Jack

• YOU DON'T KNOW JACK (DVD MOVIE)

After being cut from the usa softball team and feeling a bit past her prime lisa finds herself evaluating her life and in the middle of a love triangle as a corporate guy in crisis competes with her current baseball-playing beau. Studio: Sony Pictures Home Ent Release Date: 03/22/2011 Starring: Reese Witherspoon Owen Wilson Run time: 121 minutes Rating: Pg13 Director: James L. BrooksCompared to previous James L. Brooks dramedies, like As Good As It Gets, How Do You Know feels slight, but it still marks an improvement over the ill-conceived Spanglish. The setup begins with a newly minted couple and a brand-new single. Lisa (Reese Witherspoon), a pro softball player, dates Matty (Owen Wilson), a major-league pitcher, who lives in the same Washington, D.C., high rise as financial exec Charles (Jack Nicholson, looking ill at ease), whose ! son and employee, George (Paul Rudd), gets the boot from his girlfriend after he loses his job. When George meets Lisa, who didn't make the team, sparks fly, but she's unavailable, so they get on with their lives. Hardly the brightest bulb, Matty raises Lisa's spirits with his goofy antics, so she moves in with him. Then George finds out he faces charges for tax fraud, even though he broke no laws. While his pregnant assistant, Annie (Crossing Jordan's Kathryn Hahn), supports him through the crisis, he can't stop thinking about the blonde from the elevator, so he tries to get to know Lisa better. Throughout the rest of this glossy entertainment, their friendship verges on romance, but Lisa stays with Matty, until Annie helps her to see George clearly for the first time. As love triangles go, Brooks isn't reinventing the wheel, making this underwritten affair one of his less inspired creations, but Witherspoon, Rudd, and Wilson are good company--even if the latter is ! essentially reprising his vacuous Zoolander character (! just sub stitute baseball for modeling). --Kathleen C. FennessyFrom legendary director/writer James L. Brooks comes a humorous and romantic look at the “How Do You Know” question. When everything she’s ever known is suddenly taken from her, Lisa (Reese Witherspoon) begins a fling with Matty (Owen Wilson), a major league baseball player and self-centered ladies man. Before their relationship takes off, Lisa meets up with George (Paul Rudd) a straight-arrow businessman facing his own serious issues, both with his father (Jack Nicholson) and the law. Just when everything seems to be falling apart it doesn't.Compared to previous James L. Brooks dramedies, like As Good As It Gets, How Do You Know feels slight, but it still marks an improvement over the ill-conceived Spanglish. The setup begins with a newly minted couple and a brand-new single. Lisa (Reese Witherspoon), a pro softball player, dates Matty (Owen Wilson), a major-league pitcher, who lives in ! the same Washington, D.C., high rise as financial exec Charles (Jack Nicholson, looking ill at ease), whose son and employee, George (Paul Rudd), gets the boot from his girlfriend after he loses his job. When George meets Lisa, who didn't make the team, sparks fly, but she's unavailable, so they get on with their lives. Hardly the brightest bulb, Matty raises Lisa's spirits with his goofy antics, so she moves in with him. Then George finds out he faces charges for tax fraud, even though he broke no laws. While his pregnant assistant, Annie (Crossing Jordan's Kathryn Hahn), supports him through the crisis, he can't stop thinking about the blonde from the elevator, so he tries to get to know Lisa better. Throughout the rest of this glossy entertainment, their friendship verges on romance, but Lisa stays with Matty, until Annie helps her to see George clearly for the first time. As love triangles go, Brooks isn't reinventing the wheel, making this underwritten affair on! e of his less inspired creations, but Witherspoon, Rudd, and W! ilson ar e good company--even if the latter is essentially reprising his vacuous Zoolander character (just substitute baseball for modeling). --Kathleen C. FennessyHolly (Katherine Heigl) is an up-and-coming caterer and Messer (Josh Duhamel) is a promising network sports director. After a disastrous first date, all they have is common is their dislike for each other and their love for their goddaughter Sophie. But when they suddenly become all Sophie has in this world, Holly and Messer must set their differences aside. Judging career ambitions and competing social calendars, they’ll have to find common ground while living under the same roof. Josh Lucas, Christina Hendricks, Hayes MacArthur and Jean Smart co-star in this tart and tender romantic comedy directed by Greg Berlanti (TV’s Brothers & Sisters and Everwood). In Life as We Know It, Katherine Heigl and Josh Duhamel discover that their closest friends have appointed them guardians of thei! r child in the unlikely event of their joint death--an unlikely event that has just happened. Make no mistake: There's no reason this movie should have been any good. The premise is the worst kind of formulaic Hollywood claptrap; the pleasant but cautious Heigl (Knocked Up) is playing yet another uptight fussbudget; since a promising movie debut in the underrated Win a Date with Tad Hamilton!, Duhamel has largely coasted on his looks in tripe like the Transformers movies--yet Life as We Know It is surprisingly likable. After the movie gets through the basic exposition--and navigates some radical shifts in tone with unexpected deftness--the script somehow manages to make its clichés into something resembling real human situations. The colorful supporting characters are all entertainingly written and well played by a solid cast. And both Heigl and Duhamel give understated, engaging performances that manage to make the inevitable conclusion seem al! most not inevitable. Director Greg Berlanti (The Broken Hea! rts Club ) deserves kudos for skillfully balancing humor and pathos and turning this unpromising material into a sincere and enjoyable movie. --Bret FetzerFor Becky (Rachel McAdams, "The Notebook"), running a TV show in New York City was the big break she dreamed of…until star co-anchors Mike (Harrison Ford, Indiana Jones) and Colleen (Diane Keaton, "Something’s Gotta Give") declare an all-out, on-air war. Making the show work with its cast of eccentric characters and outrageous story angles will take a major miracle, but Becky is ready to rise and outshine. From the writer of "The Devil Wears Prada" and "27 Dresses", "Morning Glory" is a “Tart, terrific comedy*” that critics rave is, “Smart! Fresh! Brilliant! Heartwarming! Morning Glory has it all!*” *Peter Travers , Rolling Stone **Neil Rosen, NY1 Morning Glory showcases the comedic (and romantic) talents of two cute couples of different ages--Harrison Ford and Diane Keaton (never sparklier) and the ad! orable Rachel McAdams and Patrick Wilson. Love can bloom, no matter what time of life, or, as the setting of Morning Glory underscores, no matter what time of day. McAdams is excellent and darling as an ambitious TV producer who vows to turn around a sinking morning TV news show by bringing in a heavyweight anchor (Ford) to pair with the lighthearted, deft Keaton. But Ford wants none of the "news lite" that morning shows need to surface, so sparks fly between the bickering co-anchors almost immediately. Happily, Ford is easier in his skin in Morning Glory than he has been in some of his past romantic efforts (Six Days Seven Nights), so he and Keaton play off each other easily and believably. In a parallel story, McAdams's Becky is pursued by Wilson's Adam, which takes Ms. Focused Career Girl (if not the viewer) by surprise. The direction by Roger Michell (Notting Hill) is crisp, although the script by Aline Brosh McKenna (The Devil Wears Prada! ) isn't particularly funny. (Adam thinks Ford's character,! Pomeroy , is the "third worst person in the world," after Kim Jong Il and… Angela Lansbury.) But the world of TV news portrayed in Morning Glory is as immersive as it is in Broadcast News, and the romantic subplots truly are romantic. There's love in the air--and on the air--in Morning Glory. --A.T. HurleyWHAT THE BLEEP DO WE KNOW?! is a new type of film. It is part documentary, part story, and part elaborate and inspiring visual effects and animations. The protagonist, Amanda, played by Marlee Matlin, finds herself in a fantastic Alice in Wonderland experience when her daily, uninspired life literally begins to unravel, revealing the uncertain world of the quantum field hidden behind what we consider to be our normal, waking reality. She is literally plunged into a swirl of chaotic occurrences, while the characters she encounters on this odyssey reveal the deeper, hidden knowledge she doesn?t even realize she has asked for. Like every hero, Aman! da is thrown into crisis, questioning the fundamental premises of her life ? that the reality she has believed in about how men are, how relationships with others should be, and how her emotions are affecting her work isn?t reality at all!The unlikeliest cult hit of 2004 was What the (Bleep) Do We Know?, a lecture on mysticism and science mixed into a sort-of narrative. Marlee Matlin stars in the dramatic thread, about a sourpuss photographer who begins to question her perceptions. Interviews with quantum physics experts and New Age authors are cut into this story, offering a vaguely convincing (and certainly mind-provoking) theory about... well, actually, it sounds a lot like the Power of Positive Thinking, when you get down to it. Talking heads (not identified until film's end) include JZ Knight, who appears in the movie channeling Ramtha, the ancient sage she claims communicates through her (other speakers are also associated with Knight's organization). What she! says actually makes pretty good common sense--Ramtha's wiggie! r notion s are not included--and would be easy to accept were it not being credited to a 35,000-year-old mystic from Atlantis. --Robert HortonJennifer Aniston stars alongside Jason Bateman in this offbeat comedy as Kassie, a smart, fun-loving single woman who, despite her neurotic best friend Wally’s (Bateman) objections, decides it’s time to have a baby â€" even if it means doing it herself…with a little help from a charming sperm donor (Patrick Wilson). But, unbeknownst to her, Kassie’s plans go awry because of a last-minute switch that isn’t discovered until seven years later…when Wally gets acquainted with Kassie’s cute â€" though slightly neurotic â€" son. From the people behind Little Miss Sunshine and Juno comes The Switch.Jennifer Aniston continues her breezy success as queen of the contemporary romantic comedy in the offbeat The Switch, which brings together elements of When Harry Met Sally… and even episodes of Fr! iends. Aniston is charming and capable as Kassie, an accomplished New York career gal who decides it's time to have a baby--husband or no husband. But in The Switch it's the men around Kassie who become truly memorable, and for which The Switch becomes a must-see. Kassie's best friend is Wally (the wryly and neurotically hilarious Jason Bateman), who may have deeper feelings for his good friend than he's willing to admit. Kassie's recruited sperm donor is Roland, the handsome Nordic hunk with a sweet heart, played with finesse by Broadway star Patrick Wilson. And the fruit of the insemination is Kassie's son, Sebastian, acted with gravitas and thoughtfulness by the young Thomas Robinson, who's so talented he should grow up to be a huge star. Special mention goes to Jeff Goldblum, who takes his own befuddled persona stereotype to new heights as Wally's concerned friend Leonard. All Aniston really has to do is not overdo the "cute" as she dances among these ! talented actors, and she accomplishes far more than that. "The! switch" of the title involves a snafu during the process of Kassie's insemination--and the results of that plot twist shape the rest of the movie. Though audiences can see much more quickly whom Kassie belongs with, before Kassie or her guys do, the ride is thoroughly believable, human, and gently entertaining. The humor in The Switch can be bawdy but it underscores the timeless quest for love and family. Kassie--and all the "men" in her life--deserve it, and watching them on that journey makes for a delightful experience. --A.T. HurleyAngel of mercy… or murderous “Doctor Death”? Jack Kervorkian is one of the most polarizing figures in modern American history, a man whose passionate belief that people have the right to die has brought him both praise and vilification. Oscar®- and Emmy®-winning actor Al Pacino brings “Dr. Death” to life in an all-new HBO Films presentation: You Don’t Know Jack, directed by Oscar®-winner Barry Levinson.Made for HBO! , Barry Levinson's sympathetic telefilm casts an affable eye on a serious subject: the mission of Jack Kevorkian (a thoroughly de-glamorized Al Pacino). In the opening sequence, Kevorkian tells his long-suffering sister, Margo (Brenda Vaccaro, excellent), how hard he found it to watch their mother die a long and agonizing death. Convinced that the terminally ill deserve the right to die with dignity, he shares his beliefs with Jack (James Urbaniak), a Detroit journalist; Janet (Susan Sarandon), a Hemlock Society leader; and Neal (John Goodman), a medical supply salesman (the scenes of Neal and Jack playing poker recall Levinson's Diner). Before he's assisted a single patient, Kevorkian makes the national news, prompting Neal to quip, "You're not a local quack anymore. You're America's quack." Writer Adam Mazer profiles several of the 130 patients to take advantage of his "mercy machine," starting with Janet Adkins, who suffered from Alzheimer's disease. For protectio! n, Jack acquires the services of attorney Geoffrey Fieger (Dan! ny Husto n), who supports him through evictions, lawsuits, jail time, and hunger strikes--until Kevorkian engineers his own downfall by defending himself. As with HBO's Recount, Levinson adds archival footage at key points, such that Barbara Walters and others appear to play themselves. If he handles Jack's quirks with humor, he always treats the afflicted with respect, and if Pacino's accent skews more New York than Michigan, his pleasure in playing this strong-willed eccentric fuels Levinson's finest directorial effort in ages. --Kathleen C. Fennessy

The Banger Sisters

• Condition: New
• Format: DVD
• Closed-captioned; Color; Dolby; DVD; Widescreen; NTSC

Suzette leaves Los Angeles to seek out her old friend Vinnie, both former rock groupies, only to find that LaVinia is now married with children living a very conservative lifestyle.
Genre: Feature Film-Comedy
Rating: R
Release Date: 12-JUN-2007
Media Type: DVDFor thinly scripted fluff, The Banger Sisters sure is a lot of fun. With Goldie Hawn and Susan Sarandon as former groupies now settling into their fifties, this predictable comedy gets a zesty boost of vitality and unsentimental nostalgia. Trouble is, Lavinia (or Vinnie, played by Sarandon) is an uptight Phoenix housewife with a lawyer husband, two spoiled daughters, and a calendar full of charity benefits. Free-spirited Suzette (Hawn) remained true to their past as the notorious rocker-lov! in' Banger Sisters, and when she visits Vinnie after decades apart, it's not long before Vinnie rediscovers the lively self she'd buried under her drably expensive wardrobe. It's conspicuously formulaic, with Geoffrey Rush as another buttoned-up character liberated by Suzette's fun-loving wisdom. And yet, as Goldie channels the "Penny Lane" vibe that her daughter, Kate Hudson, brought to Almost Famous, this light and laugh-worthy movie reminds us that it's never too late to indulge a bit of rock & roll abandon. --Jeff Shannon

Finishing the Game

• The unexpected death of Bruce Lee, a world-wide phenomenon and established movie star, came at the peak of his popularity. Having already shot scenes for his upcoming movie Game Of Death, studio heads decided to complete the film by launching a search for his replacement, attracting hopefuls from all around the world. Finishing The Game is an uproarious, poignant, unpredictable and action-packed r

The unexpected death of Bruce Lee, a world- wide phenomenon and established movie star, came at the peak of his popularity. Having already shot scenes for his upcoming movie Game of Death, studio heads decided to complete the film by launching a search for his replacement attracting hopefuls from all around the world. Finishing the Game is an uproarious, poignant, unpredictable and action packed re-imagining of the casting process for Lee's replacement.

Juno (Single-Disc Edition)

• DVD Details: Actors: Ellen Page, Michael Cera, Jennifer Garner, Jason Bateman, Allison Janney
• Directors: Jason Reitman
• Format: Color, Widescreen, NTSC. Region: Region 1 (U.S. and Canada only)
• Aspect Ratio: 1.77:1; Number of discs: 1; Studio: 20th Century Fox
• DVD Release Date: April 15, 2008; Run Time: 96 minutes

Comedic geniuses Tina Fey (30 Rock, Saturday Night Live) and Amy Poehler (Saturday Night Live) team up to celebrate a modern twist on motherhood! Kate (Fey) is a single, successful career woman who wants something more: a baby. But she gets more than she bargained for when she hires Angie (Poehler), a free spirit from South Philly, to be her surrogate in a hysterical mama match-up. From birth class to baby-proofing, they’re the ultimate odd couple that critics are calling “the best female comedy duo since Lucy and Ethel” (Claudia Puig, USA T! oday). With hilarious performances from an all-star cast featuring Greg Kinnear, Dax Shepard, and Sigourney Weaver, Baby Mama is as full of laughs as it is heart!Laughter and hearty guffaws abound in this comical look at 37-year-old career woman Kate Holbrook's (30 Rock's Tina Fey) desperate attempts to have a baby. Never mind that she's not married and has never been involved in a serious relationship; Kate wants a baby and will stop at virtually nothing to get one. After failed attempts at broaching the concept of conception with first dates and trying artificial insemination with the help of a sperm bank, Kate finds out that her t-shaped uterus leaves her with only a one in a million chance of conceiving a child. Adoption doesn't work out and she's left with the distasteful option of hiring a surrogate mother. Enter Chaffee Bicknell's (Sigourney Weaver) surrogate service and her recommendation of the working-class Angie Ostrowiski (Saturday Night Live's A! my Poehler) who, with her common-law husband Carl (Dax Shepard! ), is ju st desperate enough to take on the job in order to make some money, and the stage is set for baby making. As fate would have it, Angie and Carl break up just after Angie announces she's pregnant and Angie ends up moving in with Kate. Unfortunately, the two are completely incompatible and what ensues is a hysterical struggle to coexist while clashing over everything from proper nutrition to stroller selection, hair dye, and delivery options. Further complicating matters is Kate's budding relationship with ex-lawyer and juice-store owner Rob (Greg Kinnear), who just happens to be morally opposed to the whole concept of surrogate parenting. Finally, there's the question of just how fully Angie embraces the virtue of honesty. It's the juxtaposition of opposing viewpoints--so boldly stated, humorously set, and blatantly exploited--that makes this witty comedy so darn funny. Expect graphic references, raunchy humor, and a whole lot of laughter. --Tami Horiuchi

! Beyond Baby Mama on DVD

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Baby Mama on Blu-ray

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Stills from Baby Mama (Click for larger image)

Comedic geniuses Tina Fey (30 Rock, Saturday Night Live) and Amy Poehler (Saturday Night Live) team up to celebrate a modern twist on motherhood! Kate (Fey) is a single, successful career woman who wants something more: a baby. But she gets more than she bargained for when she hires Angie (Poehler), a free spirit from South Philly, to be her surrogate in a hysterical mama match-up. From birth class to baby-proofing, they’re the ultimate odd couple that critics are calling “the best female comedy duo since Lucy and Ethel” (Claudia Puig, USA Today). With hilarious performances from an all-star cast featuring Greg Kinnear, Dax Shepard, and Sigourney Weaver, Baby Mama is as full of laughs as it is heart! Laughter and hearty guffaws abound in this comical look at 37-year-old career woman Kate Holbrook's (30 Rock's Tina Fey) desperate attempts to have a baby. Never mind that she's not married and has never been ! involved in a serious relationship; Kate wants a baby and will! stop at virtually nothing to get one. After failed attempts at broaching the concept of conception with first dates and trying artificial insemination with the help of a sperm bank, Kate finds out that her t-shaped uterus leaves her with only a one in a million chance of conceiving a child. Adoption doesn't work out and she's left with the distasteful option of hiring a surrogate mother. Enter Chaffee Bicknell's (Sigourney Weaver) surrogate service and her recommendation of the working-class Angie Ostrowiski (Saturday Night Live's Amy Poehler) who, with her common-law husband Carl (Dax Shepard), is just desperate enough to take on the job in order to make some money, and the stage is set for baby making. As fate would have it, Angie and Carl break up just after Angie announces she's pregnant and Angie ends up moving in with Kate. Unfortunately, the two are completely incompatible and what ensues is a hysterical struggle to coexist while clashing over everything from proper n! utrition to stroller selection, hair dye, and delivery options. Further complicating matters is Kate's budding relationship with ex-lawyer and juice-store owner Rob (Greg Kinnear), who just happens to be morally opposed to the whole concept of surrogate parenting. Finally, there's the question of just how fully Angie embraces the virtue of honesty. It's the juxtaposition of opposing viewpoints--so boldly stated, humorously set, and blatantly exploited--that makes this witty comedy so darn funny. Expect graphic references, raunchy humor, and a whole lot of laughter. --Tami Horiuchi

Beyond Baby Mama on DVD

More Tina Fey

Baby Mama o! n Blu-ra y

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Stills from Baby Mama (Click for larger image)

The typical Mommy and me workout just got a little more exciting! Three 10 minute workouts: cardio, core and calm. Great for new moms. In the 10 minute CARDIO routine, you'll melt fat and invigorate with a low-impact series where carrying the baby increases the challenge. In the 10 minute CORE routine, you'll tighten and ! tone the torso and restore beautiful posture-performed standin! g with b aby in bassinette or carriage. In the 10 minute CALM routine, you'll lengthen tight muscles and relax in a seated upright position on the mat, with your baby safe and sound (and getting lots of affection).Juno MacGuff (Ellen Page) is a cool, confident teenager who takes a nine-month detour into adulthood when she's faced with an unplanned pregnancy-and sets out to find the perfect parents for her baby. With the help of her charmingly unassuming boyfriend (Michael Cera), supportive dad (J.K Simmons) and no-nonsense stepmom (Allison Janney), Juno sets her sights on an affluent couple (Jennifer Garner and Jason Bateman) longing to adopt their first child.Somewhere between the sharp satire of Election and the rich human comedy of You Can Count On Me lies Juno, a sardonic but ultimately compassionate story of a pregnant teenage girl who wants to give her baby up for adoption. Social misfit Juno (Ellen Page, Hard Candy, X-Men: The Last Stand) pr! otects herself with a caustic wit, but when she gets pregnant by her friend Paulie (Michael Cera, Superbad), Juno finds herself unwilling to terminate the pregnancy. When she chooses a couple who place a classified ad looking to adopt, Juno gets drawn further into their lives than she anticipated. But Juno is much more than its plot; the stylized dialogue (by screenwriter Diablo Cody) seems forced at first, but soon creates a richly textured world, greatly aided by superb performances by Page, Cera, Jennifer Garner and Jason Bateman as the prospective parents, and J.K. Simmons (Spider-Man) and Allison Janney as Juno's father and stepmother. Director Jason Reitman (Thank You For Smoking) deftly keeps the movie from slipping into easy, shallow sarcasm or foundering in sentimentality. The result is smarter and funnier than you might expect from the subject matter, and warmer and more touching than you might expect from the cocky attitude. Page's per! formance is deceptively simple; she never asks the audience to! love he r, yet she effortlessly carries a movie in which she's in almost every scene. That's star power. --Bret Fetzer

Get to Know Juno's Cast

Ellen Page (Juno MacGuff)	Michael Cera (Paulie Bleeker)	Jennifer Garner (Vanessa Loring)
Jason Bateman (Mark Loring)	Allison Janney (Bren MacGuff)	J.K. Simmons (Mac MacGuff)

Beyond Juno

Juno Soundtrack

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Stills from Juno

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