Thursday, November 10, 2011

He Was a Quiet Man [Blu-ray]

Easy

  • Jamie Harris (Marguerite Moreau) is a 25-year-old self-proclaimed jerk magnet. After determining not to spend the rest of her life as the easy chick, she gets involved in a romantic triangle with 2 great guys (2004 Tony winner Brian F. O Byrne and Lost s Naveen Andrews), only to discover that love is anything but easy. Format: DVD MOVIE Genre: COMEDY Rating: NR Age: 025192
In this charming, critically acclaimed tale of rumors and reputation, Olive (Emma Stone), an average high school student, sees her below-the-radar existence turn around overnight once she decides to use the school's gossip grapevine to advance her social standing. Now her classmates (Amanda Bynes, Aly Michalka) are turning against her and the school board is becoming concerned, including her favorite teacher (Thomas Haden Church) and the distracted guidance counselor (Lisa Kudrow). With the support of her hilariously idi! osyncratic parents (Stanley Tucci, Patricia Clarkson) and a little help from a long-time crush (Penn Badgley), Olive attempts to take on her notorious new identity and crush the rumor mill once and for all. Easy A is a frothy, fizzy, and funny romantic comedy for teens--and adults will love it too. Not since Clueless has a high-school heroine been able to delight both audiences, and Easy A's Olive (the sparkling Emma Stone) is a stellar young star. But Easy A benefits from a great script by writer Bert V. Royal and assured direction by TV veteran Will Gluck. Olive is a smart girl happy to stay in the shadows of high school, until her good friend, Brandon (Dan Byrd), who's gay, begs her to pretend to have sex with him so the rest of the school will stop picking on him. She obliges, but soon she picks up not one but two reputations--as the girl who sleeps around, and, on the down-low, as the girl who'll pretend to sleep with a guy so! he won't be branded a virgin. Soon Easy A's complicati! ons pile up higher than the entrance of Olive's high school, and her two story lines, neither of which reflects the real Olive, take on lives of their own. There are backlashes and blacklists and repercussions galore. "I always thought pretending to lose my virginity would feel a little more special," muses Olive. "Judy Blume should have prepared me for that." Stone is accompanied by a strong supporting cast: Stanley Tucci and Patricia Clarkson as her bemused parents, Gossip Girl's dreamy Penn Badgley, the freshly unretired Amanda Bynes, Thomas Haden Church, Lisa Kudrow, and Malcolm McDowell. And it's to the cast's and the writer's credit that the audience is kept engaged, and guessing, till the very end. Easy A should be awarded exactly that. --A.T. HurleyIn this charming, critically acclaimed tale of rumors and reputation, Olive (Emma Stone), an average high school student, sees her below-the-radar existence turn around overnight once she decides to use! the school's gossip grapevine to advance her social standing. Now her classmates (Amanda Bynes, Aly Michalka) are turning against her and the school board is becoming concerned, including her favorite teacher (Thomas Haden Church) and the distracted guidance counselor (Lisa Kudrow). With the support of her hilariously idiosyncratic parents (Stanley Tucci, Patricia Clarkson) and a little help from a long-time crush (Penn Badgley), Olive attempts to take on her notorious new identity and crush the rumor mill once and for all.Easy A is a frothy, fizzy, and funny romantic comedy for teens--and adults will love it too. Not since Clueless has a high-school heroine been able to delight both audiences, and Easy A's Olive (the sparkling Emma Stone) is a stellar young star. But Easy A benefits from a great script by writer Bert V. Royal and assured direction by TV veteran Will Gluck. Olive is a smart girl happy to stay in the shadows of high school! , until her good friend, Brandon (Dan Byrd), who's gay, begs h! er to pr etend to have sex with him so the rest of the school will stop picking on him. She obliges, but soon she picks up not one but two reputations--as the girl who sleeps around, and, on the down-low, as the girl who'll pretend to sleep with a guy so he won't be branded a virgin. Soon Easy A's complications pile up higher than the entrance of Olive's high school, and her two story lines, neither of which reflects the real Olive, take on lives of their own. There are backlashes and blacklists and repercussions galore. "I always thought pretending to lose my virginity would feel a little more special," muses Olive. "Judy Blume should have prepared me for that." Stone is accompanied by a strong supporting cast: Stanley Tucci and Patricia Clarkson as her bemused parents, Gossip Girl's dreamy Penn Badgley, the freshly unretired Amanda Bynes, Thomas Haden Church, Lisa Kudrow, and Malcolm McDowell. And it's to the cast's and the writer's credit that the audie! nce is kept engaged, and guessing, till the very end. Easy A should be awarded exactly that. --A.T. HurleyJamie Harris (Marguerite Moreau) is a 25-year-old self-proclaimed ?jerk magnet.? After determining not to spend the rest of her life as ?the easy chick,? she gets involved in a romantic triangle with 2 great guys (2004 Tony winner Brian F. O?Byrne and ?Lost?s? Naveen Andrews), only to discover that love is anything but easy.

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A harried workaholic, Michael Newman (Adam Sandler) doesn't have time for his wife (Kate Beckinsale) and children, not if he's to impress his ungrateful boss and earn a well-deserved promotion. So when he meets Morty (Christopher Walken), a loopy sales clerk, he gets the answer to his prayers: a magical remote that allows him to bypass life's little distractions with increasingly hysterical results. But as Michael gleefully mutes, skips and scans past his family and his friends, the remote gradually takes over his life and begins to program him, in this fast, funny and out-of-control comedy adventure.Click is a high-concept, low-brow variation on It's a Wonderful L! ife that will have Adam Sandler fans laughing even as it leaves Frank Capra spinning in his grave. In their third collaboration (after The Wedding Singer and The Waterboy, Sandler and director Frank Coraci aim at the lowest common denominator and consistently hit their target, from scary casting (David Hasselhoff as Sandler's shallow, sexist boss; Sean Astin in a tight red Speedo) to a rancid menu of fart jokes, fat jokes, oversexed dogs, and other attempts at humor that rarely rise above the level of grade-school pranks. Sandler's "family comes first" sentiment somehow manages to survive the onslaught of rude, crude attitude that Sandler brings to his role as Michael Newman, a workaholic architect who learns the hard way that, well, family comes first. This happens after Newman gets a magical remote control from Morty (Christopher Walken, the film's one and only highlight), an eccentric oddball in the "Beyond" section of a Bed, Bath & Beyond store who's a! devilish version of Wonderful Life's benevolent guardi! an angel . But Sandler's no James Stewart as he uses his techno-marvel (complete with a DVD-like "life menu") to fast-forward through his life's most unpleasant moments, only to realize that he's been missing lots of good stuff, too. With Kate Beckinsale as Newman's neglected wife, impressive older-age make-ups by Rick Baker and a lot of digital wizardry to beef up the humor, Click won't disappoint Sandler's established fan base, and its $40 million opening weekend offered ample proof that Sandler's box-office clout remains remarkably consistent.--Jeff Shannon

Stills from Click (click for larger image)







You know the feeling. You meet someone newâ€"at a party or at workâ€"and you just hit it off. There is an instant sense of camaraderie.
 
In a word, you “click.”
 
From the bestselling authors of Sway, Click is a fascinating psychological investigation of the forces behind what makes us click with certain people, or become fully immersed in whatever activity or situation we’re! involved in.  
 
From two co-workers who fall head ! over hee ls for each other while out to dinner and are married a month later (and fifteen years later remain just as in love), to a team of scientists who changed the world with the magic of their invention, these kinds of peak experiences, when our senses are completely focused on the moment, are something that individualsâ€"and companiesâ€"strive to achieve. After all, when you’re in the “zone,” you’re happier and more productive. Why is it that we click in certain situations and with certain people, but not with others? Can this kind of magical connection be consciously encouraged?  Is there a way to create such peak experiences, whether on a date or in your job? 
 
According to Ori and Rom Brafman, there is. 
 
In a powerful, story-driven narrative that weaves together cutting-edge research in psychology and sociology, the Brafmans explore what it means to “click”: the common factors present when our brain and senses are fully engaged. They id! entify five “accelerators” that increase the likelihood of these kinds of magic connections in our work and relationships.
  
From actors vying for a role on a popular TV series to police officers negotiating with hostage takers, we learn how one can foster an environment where we can click with another person and shape our thinking, behavior, and emotions.
 
A fascinating journey into how we engage with the world around us, Click will transform our thinking about those moments when we are in the zone and everything seems to fall into place.
 
Acclaim for Sway:

“A provocative new book about the psychological forces that lead us to disregard facts or logic and behave in surprisingly irrational ways.” â€"New York Times
 
“A unique and compulsively readable look at unseen behavioral trends.” â€"Fortune

"A breathtaking book that will challenge your every thought, Sway hovers above ! the intersection of Blink and Freakonomics."--To! m Rath, coauthor of the New York Times #1 bestseller How Full Is Your Bucket?

“[An] engaging journey through the workingsâ€"and failingsâ€"of the mind…Their stories of senselessness…are as fascinating as the lessons we learn from them.” â€"Fast Company

"Count me swayed--but in this instance by the pull of entirely rational forces. Ori and Rom Brafman have done a terrific job of illuminating deep-seated tendencies that skew our behavior in ways that can range from silly to deadly. We'd be fools not to learn what they have to teach us."--Robert B. Cialdini, author of New York Times bestseller Influence

"If you think you know how you think, you'd better think again! Take this insightful, delightful trip to the sweet spot where economics, psychology, and sociology converge, and you'll discover how our all-too-human minds actually work."--Alan M. Webber, founding editor of Fast Company


From the Hardcover! edition.No Description Available.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 10-OCT-2006
Media Type: Blu-Ray

A video message from a dead person. A larcenous teenager. A man who can stick his left toe behind his head and in his ear. An epileptic girl seeking answers in a fairy tale. A boy who loses everything in World War II, and his brother who loses even more. And a family with a secret so big that it changes everything.

The world's best beloved authors each contribute a chapter in the life of the mysterious George "Gee" Keane, photographer, soldier, adventurer, and enigma. Under different pens, a startling portrait emerges of a man, his family, and his gloriously complicated tangle of a life.

Linda Sue Park (USA) won the Newbery Medal for A SINGLE SHARD.

David Almond (UK) won the Printz Award for KIT'S WILDERNESS.

Eoin Colfer (Ireland) is the author of the bestselling Artemis Fowl series.

Deborah! Ellis (Canada) received a Jane Addams Children's Book Award s! pecial c ommendation for her Breadwinner trilogy.

Roddy Doyle (Ireland) won the Booker Prize for PADDY CLARKE HA HA HA.

Nick Hornby (UK) has had three books made into feature films.

Tim Wynne-Jones (Canada) has twice won the Governor General's Award for Fiction.

Ruth Ozeki (USA) has seen her novel MY YEAR OF MEATS translated into eleven languages.

Margo Lanagan (Australia) received a Printz Honor for her collection BLACK JUICE.

And Gregory Maguire (USA) wrote the novel WICKED, which became a popular Broadway musical.

What would you do with a universal remote control that remotely controled your universe?Whether you are looking to earn $100 a day or $100,000 a year, this book will teach you how. Get Rich Click! is a comprehensive source of information from one of the world's most successful Internet entrepreneurs. This book outlines proven strategies and techniques for the Internet entrepreneur, and is full of real-life success stories about people of! all ages who have made millions on line!Click Espresso Protein Drink is the all-in-one energy drink with a rich mocha flavor. It contains 23 vitamins and minerals, a double shot of espresso, 15g protein, and 120 calories in a 12-ounce serving. No artificial colors or flavors. Click is a tasty alternative to sugary coffee and energy drinks.

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Breaking and Entering

  • BREAKING AND ENTERING may lack the quality and scope of Anthony Minghella s previous work such as THE ENGLISH PATIENT and COLD MOUNTAIN, but it s an interesting, character-driven drama. Jude Law (CLOSER) plays Will, a landscape architect who succeeds in business but finds his personal life is tougher to navigate. He has been with Liv (Robin Wright Penn, FORREST GUMP) for years, but it s difficult
(Drama) A sexy and steamy story about a disparate group of Londoners connected by a string of burglaries and a passionate affair.The atmospheric and erotically charged Breaking and Entering reunites director Anthony Minghella with Jude Law (The Talented Mr. Ripley, Cold Mountain) and the haunting Juliette Binoche (The English Patient, for which she and Minghella won Academy Awards). Law fully invests himself as pre-occupied landscape architect Will Francis, who with his ! partner (Martin Freeman from the original British version of The Office), is heading a gentrification project in London's seedy, crime-plagued King's Cross neighborhood. At home, he and Liv (Robin Penn Wright), his morose Swedish-American girlfriend of 10 years, are increasingly estranged over the demands of his job and of caring for Liv's autistic daughter, a 13-year-old aspiring gymnast. Will, hiding his identity, begins an affair with Amira (Binoche), the mother of a youth who has twice ransacked Will's office. Amira is a Bosnian refugee with a fierce survival streak that is not above blackmail when she learns who Will is. This is Minghella's first original screenplay since his little-known romantic gem Truly Madly Deeply. The dialogue has Woody Allen pretensions: A cleaning woman who comes under suspicion for the break-ins invokes Kafka. A prostitute (Vera Farmiga giving the film's liveliest performance) has a philosophical bent. Will himself ham-handedly ! explains how he much prefers metaphors to straightforward comm! unicatio n (he'd love this film's title). An art-house film with an A-list cast and wrenching performances, Breaking and Entering couldn't get arrested in theatres, but it is a fine addition to Crash and other liberal-minded "them and us" dramas. --Donald Liebenson

Fay Grim

  • Fay Grim (Parker Posey) is afraid her son Ned (Liam Aiken) will turn out like his father, Henry, who has been a fugitive for seven years. Fay s brother, Simon, is serving a prison sentence for helping Henry escape the country. Adding to her trials, Fay is approached by a CIA agent (Jeff Goldblum) to help find Henry s missing notebooks in exchange for Simon s freedom. The mission escalates into a g
FAY GRIM - DVD MovieFay Grim is Hal Hartley's version of the espionage thriller. Consequently, it's more peculiar than pulse-pounding, but that's what makes his films appealing--to those who appreciate their off-kilter rhythms, that is. In Hartley's world, dialogue is often delivered with a straight face, no matter how funny the line or farcical the situation. In Fay Grim, he picks up seven years after Henry Fool left off, but this time the writer/director shifts focus from no! velist Henry (Thomas Jay Ryan) to his seemingly scattered wife, Fay (Parker Posey). Their son, Ned (Liam Aiken), is now in his teens, but Henry remains at large, and Fay's "garbage man poet" brother, Simon (James Urbaniak), remains in prison for aiding in his escape. Then two CIA operatives, Fulbright (Jeff Goldblum) and Fogg (Leo Fitzpatrick), inform her that Henry is dead, so Fay agrees to track down his complete set of diaries in exchange for Simon's freedom. Apparently, Henry's incoherent ramblings contain state secrets. Joining forces with stewardess Bebe (Elina Löwensohn), Fay travels from Queens to Paris to Istanbul to fulfill her mission. In the end, Fay Grim resembles Hartley's noir parody Amateur, which featured Löwensohn, more than Henry Fool. It has less to say about talent and celebrity and more about mystery and intrigue. For the filmmaker, it also represents an opportunity to reunite a strong ensemble and to recover, at least for the ti! me being, from a string of disappointments, like No Such Th! ing and The Girl From Monday. --Kathleen C. Fennessy

America's Heart & Soul

My Boy Jack

  • Its 1915 and World War I has been declared. Aged only 17, Kiplings son, like most of his generation, is swept up in the enthusiasm to fight the Germans, a mood stoked vigorously by his father. Jack is cripplingly short sighted and the army has rejected him twice, rendering him too myopic even for an army suffering thousands of casualties a week and desperate for recruits. Yet Rudyard is undeterred
They share the same birth month, so the orphanage calls them December Boys. But these teens â€" Maps, Spit, Spark and Misty â€" have much more in common. With no hopes of ever joining a family, they form their own familial bonds. Then the unexpected news comes that a young couple may adopt one of them, and the long-time pals suddenly share something else: a rivalry to be the chosen one.Its 1915 and World War I has been declared. Aged only 17, Kiplings son, like most of his generation, is swept! up in the enthusiasm to fight the Germans, a mood stoked vigorously by his father. Jack is cripplingly short sighted and the army has rejected him twice, rendering him too myopic even for an army suffering thousands of casualties a week and desperate for recruits. Yet Rudyard is undeterred, determined that his son should go to the front, like countless other sons, and fight for the values that he, Kipling, espouses so publicly. Using his fame and influence, Kipling persuades Lord Roberts, on his death bed, to get Jack a commission in the Irish guards. This intervention is barely tolerated by Carrie and daughter Elise (Carey Mulligan), as they disagree that Jack is fit to fight and fear for his safety on the front line. Jack is instantly popular with his troop he is a great leader and trains tirelessly to overcome the disability that is his eyesight. Six months later Jack sails to France as a lieutenant. Jack went missing in action during the Battle of Loos and his mother a! nd father carried out an increasingly desperate search for him! , spanni ng many years and many miles.

DVD Features:
Deleted Scenes
Interviews

As affecting as it is thought-provoking, ITV's My Boy Jack illustrates the dangers of unbridled patriotism. To grow up the child of a famous author is burden enough, but when the boy must embody the beliefs of the man, the consequences can be devastating. In the case of John "Jack" Kipling (Harry Potter's Daniel Radcliffe in his most mature role to date), 17-year-old son of Rudyard Kipling (Four Weddings and a Funeral's David Haig), his father's passion for King and Country leads to a preventable tragedy. Based on Haig's play, the proceedings begin in 1914, prior to the outbreak of World War II. Jack attempts to join the army and the navy, but both reject him due to severe shortsightedness, so Kipling Sr. pulls strings to place him with the Irish Guards. Jack's sister, Elsie (Bleak House's Carey Mulligan), and American-born mother, Caroline (a! brunette Kim Cattrall), would rather he serve the war effort at home. Through hard work and determination, Jack scales the ranks from private to lieutenant, but goes missing in France, and many months pass before the family solves the mystery of his disappearance. In the end, My Boy Jack, which aired in England on Remembrance Day, concerns itself more with paying tribute than apportioning blame, and Haig skillfully portrays Kipling's guilt in putting his son in harm’s way and pride in a brave soldier who "played his part properly." Special features include interviews and deleted scenes. Parental advisory suggested due to situation-appropriate language and teen smoking. --Kathleen C. Fennessy

The Burning Plain: The Shooting Script (Newmarket Shooting Script)

  • ISBN13: 9781557048264
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A major figure in the history of post-Revolutionary literature in Mexico, Juan Rulfo received international acclaim for his brilliant short novel Pedro Páramo (1955) and his collection of short stories El llano en llamas (1953), translated as a collection here in English for the first time. In the transition of Mexican fiction from direct statements of nationalism and social protest to a concentration on cosmopolitanism, the works of Rulfo hold a unique position. These stories of a rural people caught in the play of natural forces are not simply an interior examination of the phenomena of their world; they are written for the larger purpose of showing the actions of humans in broad terms of reality.St! ill reeling after the death of his former lover, criminal defense lawyer Henry Rios unwisely falls for a young actor whom he had successfully defended on trumped-up burglary charges.

But just hours after a date with Rios, the man is brutally murdered--and the trail of circumstantial evidence leads an unscrupulous police detective to Rios' doorstep.  And when a second young man, and then a third, are found dead, Rios must fight not only to exonerate himself, but to save his very life.

Embroiled in his own investigation of the case, Rios exposes an intricate web of blackmail, betrayal, corruption, and violence--a conspiracy that reaches from the Los Angeles criminal courthouse to the studio lots to the mayor's office.  And in the end, Rios knows that one more murder won't make a difference to anyone....Michael Nava has garnered critical and popular acclaim for his mystery stories featuring gay Mexican American detective/lawyer Henry Rios. In the 1996 Th! e Death of Friends Rios's best friend was brutally murde! red. In The Burning Plain, Rios, still recovering from his loss, has taken up with a young man who is also murdered shortly after leaving his home. The police are initially suspicious of Rios, a situation that grows increasingly serious for him after two more young men are killed. Nava is an expert at combining plot and atmosphere, suspense and politics. Like P. D. James and Caleb Carr, Nava beautifully and thoughtfully writes "thinking persons" mysteries. The Burning Plain is that rare book: a cunning mystery and a serious novel.
The official screenplay book to the directorial debut by independent film favorite Guillermo Arriaga (screenwriter of Babel and 21 Grams), starring Charlize Theron and Kim Basinger.

In this multilayered drama from screenwriter Guillermo Arriaga, a mother (Kim Basinger) and daughter (Charlize Theron) try to connect during the young woman’s difficult childhood, with devastating effects for all of their ! loved ones.

The past and the present have a curious way of affecting each other as several people separated by time and space discover: Mariana, a 16-year-old girl trying to put together the shattered lives of her parents in a Mexican border town; Sylvia, a woman in Portland who must undertake an emotional odyssey to burnish a sin from her past; Gina and Nick, a couple who must deal with an intense and clandestine affair; and Maria, a young girl who helps her parents find forgiveness and love. They will discover that their actions may mean the difference between life and death, as well as their own journeys into seeking redemption…and whether or not they will find it.

This book also includes an introduction by Arriaga, a color photo section, production notes, and the complete cast and crew credits.

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